In fact, Wat was such a charismatic
athlete that, at a time when hostility against Japanese Americans
was at its all time high, Knicks owner Ned Irish didn't think twice
about the racial implications of having a Japanese American player
on his team. The New York City fans were certainly ahead of their
time in accepting him, too. During the 1947 NIT Championship Tournament
at Madison Square Garden, Wat guarded and shut down Ralph Beard,
All-American
"Player of the Year" from Kentucky. And when Wat was not
recognized in the selection of the MVP, the New York City crowds
booed the choice.
Unfortunately, Wat's NBA career
was a short one. He only played three games, scoring seven points.
Though the baseball world had a plan firmly in place that year when
integrating Jackie Robinson into their league, no one thought about
the possible repercussions of having a Japanese American player in
professional basketball. Who can say how his career might have turned
out in a less politically charged time.
After being released from the Knicks, Wat was offered
(but turned down) a spot with the Harlem Globetrotters, who at the
time were considered to be the best team in the world. One more fact
that speaks to Wat's amazing athleticism.
When we first started our research
we were shocked and saddened to see that though the Basketball Hall
of Fame had an entire case devoted to 'Diversity in the NBA",
Wat was nowhere to be found. We are very proud to have recified that
on August 7. 2009. It is our greatest hope that in sharing his story
with the world, not only will the Knicks have an opportunity
to celebrate the historic and courageous choice they made in drafting
Wat, but that we will all be reminded that the human spirit is powerful
and transcending,
especially if you're lucky enough to be a guy like Wat Misaka.
Bruce Alan Johnson and Christine Toy
Johnson - February 2009
THE FILMMAKERS
BRUCE
ALAN JOHNSON (Co-Director/Editor)
directed the audience award-winning short film ALL
AMERICAN EYES written by and starring his wife Christine Toy
Johnson, and with a grant from the California Civil Liberties Public
Education Program, has collaborated with her again to make a documentary
about the first Asian American professional basketball player,
Wat Misaka. His love of basketball, digital artistry and commitment
to diversity and inclusion made this film a perfect fit for him.
He has worked Off-Broadway as Production Stage Manager for FALSETTOLAND
and the world premiere of VICTOR WOO and as a performer, on Broadway
as "Joe Gillis" opposite Elaine Paige in SUNSET BLVD.
Bruce was also the lighting designer for the "Asian Americans
on Broadway" concert series at the Brava Theatre and Palace
of Fine Arts in San Francisco and the Miller Outdoor Theatre in
Houston. An award-winning photographer, he is the founder of Bruce
Johnson Photography and Graphic Design, whose clients have included
Oscar nominated and Tony and Grammy Award winning artists.
He is a graduate of the University
of Iowa (film production). More about his work can be found at www.brucealanjohnson.com
CHRISTINE
TOY JOHNSON (Co-director/Producer)
is a playwright, actor and filmmaker. Her first play, THE NEW DEAL,
was the inaugural play to be developed in the "Different Voices" program
at the Roundabout Theatre Company, while its prequel, PAPER SON
was recently added to the Mutli-cultural drama curriculum at the
University of Michigan as well as the Playwriting curriculum at
Wesleyan University. Other plays: THE PERFECT WIFE, INTERNAL BLEEDING,
THE FAUX DESIGNER HANDBAG CAPER and "EVER SEE A FAT CHINESE?".
Screenplays: NO WAVE WITHOUT WIND(with Charles Randolph-Wright),
JUMPING THE THIRD RAIL, DULLY FOR PRESIDENT and OLD, FAT AND UGLY.
Her short film about inadvertent discrimination, ALL
AMERICAN EYES, (which she also starred in and produced) was
the winner of the Audience Award at the Waves International Film
Festival, and played the Hearts and Minds and New York International
Film and Video Film Festivals. Awarded two consecutive grants from
the California Civil Liberties Public Education Program, she produced
and co-directed this documentary film with her husband, filmmaker
Bruce Johnson.
As a performer, she has appeared extensively on
Broadway, off-Broadway, in regional theatres across the country,
in film, television, and concerts worldwide for over 25 years and
is the recipient of a Boomerang Fund for Artists Grant Award in
recognition of her acting and writing careers.
Christine is a graduate of Sarah Lawrence College
and the Certificate of Screenwriting Program at NYU. She is part
of the elected leadership of Actors' Equity Association, on the
board of Alliance for Inclusion in the Arts, a member of the New
Perspectives Theatre Company Women's Playwriting Lab, AEA, SAG,
AFTRA, and The Dramatists Guild. For more, please visit www.christinetoyjohnson.com.